When it comes to Israel, The Intercept’s coverage crosses the line from opinion journalism to a crude and vile form of propaganda.
Some of Omidyar’s investments do good by anyone’s definition: funding joint public-private educational projects in South Africa, or helping indigenous peoples around the world retain rights to the resources on their own lands. But for other investments, “social good” is in the eye of the beholder. Omidyar recently infused $250 million into a new journalistic venture, First Look Media, and has installed a respected mainstream journalist, a former managing editor of the Washington Post, as President, to help “develop the best ways to serve audiences as well as oversee the company’s editorial vision.” That vision encompasses a number of lofty objectives: ensuring that citizens are “highly informed and deeply engaged in the issues that affect their lives”; helping “to improve society through journalism and technology,” building “responsive institutions”; and supporting efforts to “hold the powerful accountable.”
That is all well and good, but how are these high-minded goals working out in practice? The only product of First Look Media thus far is The Intercept, an online publication whose three founding editors are Jeremy Scahill, Laura Poitras, and Glenn Greenwald. The latter two are both individuals to whom Edward Snowden entrusted the top-secret documents he purloined from the National Security Agency and other U.S. intelligence bodies before he took refuge in Vladimir Putin’s Russia. Jeremy Scahill is a self-described “progressive journalist” who has written extensively for the Nation and wrote the script for a 2013 documentary film, Dirty Wars, based upon his book of the same title, about America’s “global killing machine.”
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Not
that we have anything against highs in the mid-70s, but as the calendar
inches closer and closer to September (seriously, WHAT??), it’s kinda
hard to believe that was it for summer this year. It’s been a joy
pretending to live in northern California, but it’s time to face the
truth, Oy!sters: fall and 5775 are fast-approaching, and with them
sweaters, boots, and (even) cooler temps. We can practically taste the
pumpkin spice lattes already.
“SHALOM ALEICHEM!” Shiva Shapiro said in a heavy Yiddish accent to her visitors.
When
I sat down to watch The Producers last weekend, I was prepared for the
humor to be somewhat obscene. Having already seen Spaceballs and History
of the World Part I, I was familiar with Mel Brooks’ style. But The
Producers reached an entirely new level. I love Brooks’ sense of humor,
but still I wondered if it was OK to laugh—while wincing—when the female
SS officers dance in a Swastika formation during the first performance
of Springtime for Hitler. Still, my discomfort was short-lived, and I
didn’t find it too difficult to decide to just laugh at and enjoy the
film.
Were
you outraged by a Sainsbury's store's decision over the weekend to