From Hillel and Shammai to Jagger and Richards, some
of the greatest art in history emerged from collaboration. The partnership
between illustrator and comic artist Will Elder and Harvey Kurtzman, the
creative genius behind Mad magazine is one such example.
Born Wolf Eisenberg to a
Bronx family that called him "Meshugganah Villy," Elder was, according to Mad
publisher William M. Gaines, the "funniest artist." ("Much funnier than me,"
Kurtzman affirmed).
Some Mad artists chaffed under Kurtzman's tight
editorial grip, but Elder transcended order via what he dubbed "chicken
fat"—that is, comedic schtickery unrelated to storylines. Mad disciple Terry
Gilliam of Monty Python fame explained chicken fat as "jokes on jokes on jokes."
Larding Kurtzman's scripts with layers of seemingly unrelated gags, Elder's
dollops of schmaltz also reflected the New York Jewish milieu of his upbringing.
Cartoonist Daniel Clowes put it best when he called Elder a "descendant of Bosch
and Bruegel." Elder, he wrote, offered a "crystal-clear vision of a world gone
mad"—a world that must be seen to be believed.
- Daniel M. Bronstein
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