Norman Lebrecht for Mosaic
The
next time you suffer overspill on your bookshelves, take down the
Bernstein section and send it for recycling. The Leonard Bernstein
Letters, out this month from Yale University Press, contains so much
that is startling and unknown that all past books, including his own,
become instantly inadequate. Don't take my word for it. On the jacket,
Bernstein's official biographer, Humphrey Burton, declares that, with
this book in hand, "I want to start all over again."
The letters,
preserved by Bernstein's early piano teacher and lifelong secretary
Helen Coates, are housed at the Library of Congress, tens of thousands
of them, so many that only an amazingly knowledgeable or presumptuous
scholar would dare to sift wheat from chaff. The man who dared is Nigel
Simeone, an English expert on Messiaen and West Side Story; his curation
is confident, comprehensive, beyond criticism.
Simeone opens
with a 1932 letter to Miss Coates: "I have decided to study with you,
taking one lesson every two weeks." He is 14 years old and his authority
verges on effrontery. That assurance never wavers through his life.
Bernstein
writes letters as I remember him speaking: in a stream of consciousness
that burbles with wit, malice, truth, flashes of human insight, an
omnivorous curiosity and a profound understanding of failure. His voice
is irresistible, his interests boundless and his position on any
important issue magnificently ambivalent.
"Which of us worth his
salt is not a paradoxnick," he demands, late in life. "There's
something in the Bible we all believe, even if not literally; and
there's something also in Darwin and Freud that grabs us equally. Wm.
Blake vs. Martin Gardner, X vs Y and on down the list of all the
antitheses that engender free inquiry and democracy. I like to think of
myself, and you, as primarily
rational humanists, but then there I go inhaling cosmic energies . . ."
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